Wilfred Owens The Send-off and Erno Mullers Assault Essay Example

Wilfred Owens The Send Wilfred Owens The Send-off and Erno Mullers Assault Paper Wilfred Owens The Send-off and Erno Mullers Assault Paper Essay Topic: Literature The assault Both Owens and Mullers poems were written about World War 1 and so the two poems are especially similar in some respects, even though different poets wrote them. There are still a large number of differences between the two poems. Some similarities and differences are naturally easier to spot than others; some only become apparent after extensive study. These differences and similarities occur in style, the way the poems deal with war and it effects as well as many other things. In The Send-off by Wilfred Owen the story is told of the soldiers departing on a train for the war. It depicts the men at the siding shed and on the train, leaving their loved ones and all the things that they have worked for to go and fight on the frontline and probably die. The storyline is the start of what is likely to be the last train journey for the majority of the men on board. As the train departs with the men on board so do we leave them. In Assault by Erno Muller the story about a group of World War 1 soldiers is being relayed to us, of how they got caught in a gas attack and how it causes someone to die. The soldiers then have to get out of the trench and attack the enemy, the story shows the real world of war. The tone of The Send-off is one that condemns the deaths of those that participated and how far too many men died, a few, a few, too few [may return] the fact that Wilfred Owen is saying too few return, means too many die, this then means that is condemning the war and waste of human life. When talking about the departure Owen wrote So secretly, like wrongs hushed-up, which talks about how the men being sent off to fight and probably die is wrong, so he is condemning it. Assault by Erno Muller also has a condemning tone, there are no outstanding quotes representing this -however the underlying view of the author can be picked up as more of the poem is read. There is also a sarcastic tone although this does not feature in The Send-off Assault uses it at the end to good effect, God, this is fun! One can get the impression that some see war as fun or good, this poem has sarcasm to show how wrong they are. The voice in The Send-off is in a 3rd person perspective. It is narrated by someone who is there looking at the men and women being affected but is not involved with those there directly, words like their and they give us this impression. It also sounds like someone who knows a large amount about the occurrences of the war and resents it. It is almost as if it is the soul of a soldier who died fighting in the war and he resents this. Assault has a 1st person perspective. It sounds like someone who had experienced it and survived. Words like ripped and were show that it was written in the past tense whilst quotes like God, this is fun makes it seem as if the narrator experienced the war 1st hand. The Send-off has both an angry underlying mood too few as if the author is shouting and hollering as if very angry, along with a sad mood. It is sad because the author knows that a lot of the men will soon be dieing. A few, a few may creep back. We get the idea that they have been through terrible suffering (which they had) and that only a few survived (which is also true), this is supposed to and succeeds in saddening the reader. Assault has a few moods in it, there is an eerie mood at the start of the poem. The white cloud swirled round him like a fog. This gives an eerie atmosphere as death just swirled up around one of the soldiers without him realising. Another mood is sadness A man choked caught him unawares. Then his body flopped over. We are saddened from this as a man suffers a horrible death from gas and he didnt have a chance to avoid it. Assault also has an angry mood in it, the author is angry at the waste of human life, the quote over the top and kill shows how all war is, is people to kill. The two poems have very different forms, The Send-off is broken into four stanzas which change in size going small, large, small and large. This breaking up could represent how war is fought in sections. These sections are the different battles that occurred in World War 1. The order of the stanzas and the size of each stanza being regular could be seen to represent how the deaths and occurrences of war were seen as regular. However, looking closer the sentences begin and end at different points, war appears regular but look closer into it and it is not. Assault only has 2 stanzas, these are of very different lengths, however the lines are organised into groupings. The different groups of lines represent the different parts of the battle that the soldiers went through, the form of Assault is totally un-predictable, much like an enemys next move in a battle or war. There are several differences between the rhythms that the two poems use. Erno Mullers Assault has a rhythm that keeps changing. It begins quickly Gas! Faces turned straight into the action there is a fast rhythm here as the soldiers try to survive the gas attack. It slows down in the middle of the poem as the shells are described and then tired they sank earthwards. There is a final boost of speed at the end of the poem Over the wall! Over the top and kill. The Send-off however has a very steady rhythm and it is fairly slow. The very regular rhythm Dull Porters watched them, and a casual tramp Stood staring hard makes the send-off of men to the front lines seem a regular occurrence (which it was) and therefore that the mens deaths were also a regular un-important event. Both poems have a great deal of examples of imagery throughout them. The Send-off starts of with lines and words making it feel that the war is being censored, so only some truths come out. This is being done because war is wrong and the government, army etc are trying to keep it quiet. Darkening lanes produces imagery of it occurring in the dead of night so that it is not seen by many people and therefore kept quiet. Everyone knew that it was wrong but no-one was trying hard enough to do anything about it, everyone was just keeping quiet like wrings hushed up. The impression of things being censored and kept quiet is given as men may creep back silent so only a handful of people knew the truth about the war. Assault also has a few examples of things being kept quiet. The masks that hid the men from the gas can represent how the government hid (or censored) the truth about the war from the public. Some of these things carried through to the soldiers, the white cloud which was actually death, as gas could seem innocent to the inexperienced soldier as a white cloud would seem above suspicion to the uninformed. There are copious numbers of references to the huge number of men that died throughout as well as all the suffering that a lot of them went through. Erno Muller has included a lot imagery for this, feverish hands the men are harmed mentally (scared stiff) just by the thought of the gas attack. The horrible image of a man choked as the gas caught him unawares over whelmed his defences and took over his body. Groaning makes us think of all the men lying on the battlefield groaning in pain. The men also felt like they were on their own at times, the word unawares is the only word on the line, it also is on its own. They may also have felt that everything was against them including nature The wind cut me. The feeling that everything was against them would have reduced their morale even more. Owen also included no end of imagery within his poem, lined the train produces the image of the huge numbers of men that took part in the war as a train can hold a huge number of people. The men tried to put a brave face on their situation, as they were not that happy about being in a war faces grimly gay. There are also a great deal of references to how the deaths became usual as so many men lost their lives, They got a train trains run regularly just as the men died regularly, Dull porters watched them as it wasnt unusual for train loads of men to go off, however this also meant that it was usual, mundane and uninteresting that the men died. Repetition near the end of the poem A few, a few, too few gives the impression of things going on and on, either the suffering of the soldiers, the numbers of dead or just how the war went on for a lot longer than everyone was expecting. The women gave them flowers before they left, this could be instead of putting flowers on their graves as the men were very likely to die and some of their bodies would never be found. Words and lines like our and I in Assault make you realise that it was personal, people lost lots of friends and family in the war, a lot of men would have watched their friends die. The two poems have different rhyming patterns, one doesnt have one. The Send-off has a regular rhyming pattern, in the short stanzas it is ABA and in the longer stanzas it is a more complex but still a regular rhyming pattern. The regular rhyming pattern in the poem can represent the regularity of the send off during World War 1 and therefore the regularity of the men dying. Assault has no particular rhyming pattern. This could represent how things dont always happen as they are supposed to. It is, however, still a poem. Things dont always happen in war as they are supposed to, but it is still a war and waste of human life. Both poems deal with war and its effects in similar ways. They condemn the immense loss of human life. Both authors seem to try to deal with their losses by discussing what occurred. In conclusion, the two poems deal with war and its effects in the way that most war poems endeavour to.

Gender and Culture Studies Article Example | Topics and Well Written Essays - 750 words

Gender and Culture Studies - Article Example All these do not act independent from each other. Studies try to analyze and explain how they work together â€Å"how they mutually construct one another† (Collins et al 62). My goal in this paper is to try explaining the article and the different ideas being portrayed. As noted earlier, the article presents us with the insight of how race and gender are socially put together out of dysfunctional definitions of â€Å"the family†. Generally, gender and race are socially built groups rather than important and biological groups. Collins shows how these groups are formed and how idealized and often the dysfunctional images of â€Å"the family† project a hierarchy that functions in the best interest of everyone. The idealized family needs a breadwinner who is able to protect and maintain the other family members, a wife who is a stay at home mother, and obedient children. This means the public of economics and politics have no impact or influence what so ever on the private domestic sphere of women and children. But this is becoming unrealistic especially in the present day, for it is difficult for survival value for the women and the children who solely depend on the man as the provider. Discrimination on the lines of gender and race is real in the modern society as individuals use an imagined image of a certain group to create a hierarchical categorization. We use the family images to view our nation and use it in the definitions of policies. As matter of fact, the assumption that a few wealthy white men are capable of not only protecting the whole national family but also acting to the best interest of the society comes from accepting the hierarchical categorization. Deviance or protest of any kind to this assumed fact makes one ungrateful and thus conservative politicians expect that women and people of color should not only be submissive According to Collins there were six different dimensions which will be explained in terms of gender, race

Class Dialogue Assignment Example | Topics and Well Written Essays - 250 words - 1

Class Dialogue - Assignment Example Libreria Editrice Vaticana: 6-10, and 244 Accessed Online from http://w2.vatican.va/content/francesco/en/apost_exhortations/documents/papa-francesco_esortazione-ap_20131124_evangelii-gaudium.html. As seen from the social settings that human beings are separated either by color or ethnicity, it is no surprise that Catholics are seen the same way by other religions. Christians have been ridiculed this leading to division. In context, the topic at hand is covered by this source as it projects the dimensions of faith and how such faith can be distorted given that other religions and some races within Christianity do not auger well with each other. Racism is the bias towards a certain race. The Catholic Church as been viewed as one among the foundations of Christianity. However, politics have been immersed in to the church with racial profiling of clergies and other service individuals segregated along these lines. In context, this source provides supporting dialogue confirming that racism as well as favoritism are particulars in Christianity and thus more perspectives of analyzing the church should be considered. This quote shows that the division among Christians continues to be the very reason that Christians are unable to live or co-exist peacefully. In nations ravaged by violence, the Christians are even in a worse situation as the lack of unity projects even further complications as to how to conquer the hardships. Racial profiling is a problem in the justice system as it is in the religious setting. Considering the crises in Egypt and Nigeria, religious wars and lack of cooperation among Christians has driven the bar of reconciliation further as terror rages on. For instance, the abduction of school girls in Nigeria by a terror militia shows that the racial and religious conflicts continue to rage due to division among the Christians as pointed out by the USCCB. Paul VI. (1975). Pope Francis’ Evangelii Gaudium. Libreria Editrice

Allen Ginsberg Essay Example for Free

Allen Ginsberg Essay Allen Ginsberg was born into social confusion. He was jewish, gay, and his mother was a communist. Yet outside of this, he was also birthed within a generation that wallowed in chaos, both morally and emotionally. Before them had come the Industrial Revolution, which had begun the murder of unity or wholeness in American society; assembly lines and the breakdown of the workplace into distinct and separable parts had fragmented both the individual and the family. Yet it was the bomb that truly brought the deafening crush on American psycha, minimalizing mechanical wonders and becoming the first true human leap in the intelligent understanding of how to control and shape the environment (Henrikson xi). However, to Ginsberg and others, nothing was closer to the anti thesis of the concept of human. Their parents had numbed themselves in order to adapt to the depression and two world wars, forcing them to rationalize the reality of post-war America with apathy and materialism and the empty values of consumerism. Ginsberg refused to believe this was the way of the world and began to write about a new generation who had placed new definitions in place of old notions that no longer applied. He and other writers began a To Allen Ginsberg, the problem was that in society the existence of the individual in isolation was naturally more real than society in general, as collective society has an awesome control over people that transcends their individual wills. (Merril 3) The bomb then was a symbol of this control, essentially bounding people to a future under fear, under which they would strip themselves of their purely human emotions in order to cope with the day. In a world where mainstream television told you how to be and Mcarthyism told you what not to be, Ginsberg believed the individuals only answer was only looking inwards oneself where they couldnt reach through the boundaries of externals (Wooley). His age would be on a spiritual quest, but to embark on it they would need a new religion for a new day; modern religion could no longer do as good and evil and evil seemed increasingly inadequate in a world of science fiction turned fact (Ziegler 172). The beat therefore found their religion in Zen Buddhism for one central reason: both sides of good and evil were embraced in oneness for the individual in the meditation where spontaneous flashes of images and sights might come ( Merill 7). In this religion, nothing the human being was impulsed to perform could be wrong as what was right was instinctual and natural. To sustain their humanity in a world gone mad, man had to embrace every emotion he felt as exploiting these feelings..[led them] to new levels of truth (Merill 2). This was the concept of the ying and the yang ; taking on all forces no matter how panicked or manic in coherence with nature. It is in this particular religious ideology and other forms of explicit verbal attacks that characterize Ginsbergs first acknowledged work, Howl. The content of the book leaves no mystery to why it became so controversial; Ginsberg refuses to deny any schema of thought, most noticeably in the sexuality department. If had he had censored these thoughts, it would have equated to admitting that sexual behavior was unhealthy and unnatural; this expression [was] the denial of shame itself and represented the embrace of his full humanity (Merill 2). But to truly understand the work, one has to imagine themselves in the context of the Six Gallery group of San Francisco poets it was performed before, as its recitation was the first of many performances that would eventually make Ginsberg largely responsibible for the movement of the poet from the printed page to the reading halls (Schumaker 635). One must imagine the situation , because it is in the visual that one can get the feeling of it , of the beat of the music, of the beat of the scene, of the swelling chests and rising spirits of culture [surviving] despite the presence of an oppressive national political environment (Schumaker 214). The mood can only be fully set if the voice of Ginsberg is imagined in a somewhat nervous tone, unsure of the response he will garner as he exalts the individual and their inherent potential for goodness outside of the society , saying Holy! The soul is holy! The skin is holy! The tongue and cock and hand and asshole holy! Everything is holy! The boos, hisses,[claps] of the crowd must be invoked upon the introduction the deity of death known as Moloch who is a direct contrast to the pure human existence (Schumaker 217) The nervousness and dread should be present alongside his description: Mind [of] pure machinery..whose blood is running money..whose fingers are ten armies..whose ear is a smoking tomb.demonic industries!!..granite cocks!!monstrous bombs! Moloch is responsible for taking away the instincts of the people that would bring them happiness as he bashed open their skulls and ate up their brains and imagination (Henrikson #). Yet among this distinction of conflict, the presentation of unity and aforementioned one-ness of Zen can be seen in Ginsbergs portrayal of optimistic youth and its convergence with drugs and various arrays of emotions. Words are infused with the surge of the crowd as there are the angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the night, similar to a lost battalion of platonic conversationalists jumping..off windowsills off Empire State, and equal to those who vanished into nowhere Zen New Jersey [loning it] through the streets of Idaho seeking visionary Indian angels. These descriptions exalt the individual who absorbs his uncertainty and doubt and lets it take him anywhere in his hunt for spirituality, in an ethereal surreal showing of human purity described in a gritty confessional style latent with acid tripped tongues between lips and roses on the ends of declarations. They also know no form, as Ginsberg says each is a breath, a flurry of emotion representative the human exhaling against conventional society and its brutal and constraining tendencies as represented through Moloch (Merill 23) Ginsberg essentially takes the amalgamation of drugs, obscenity, explicit sexual imagery and hysterical/naked tendencies of his people and compares them to the oblique characteristics of Moloch and the boys sobbing in armies by his side, massive like red revolution but subverted to a nationalistic mantra, cut like concrete on warm warring flesh wishing they could feel like the battleground if it had a heartbeat with organs cut away at three crosses to cele brate the mythic religion when Jesus the baby birthed in love consideration and carnal compassion was felt by his mother; of the two, the blatant and overt obscenities of the steel machine were much more Frankenstein-esque in offensiveness and horror than the words of the skin, of frantic nude protests laced like bluesy Saturday night agony tunes. To bring America to this reality, Ginsberg uses the painful recognition of seeing the best minds of his time ..destroyed by madness, emblematic of his lover Carl Solomon being institutionalized after suffering from the noxious consumerist tones of nuclear America (Schumaker 208). Taking all of madness in within himself, the poet summarizes his response to all of this with the single line FUCK AMERICA AND ATOM BOMB. It is symbolic of his overall explicit nature in protest, such as his later poetry which boasted of cocksucking in front of French cathedrals and standing out in aristocratic French scenes penning Death to Van Ghohs Ear (Campbell NUMBER). Ginsberg not only felt this came naturally but felt it was as the new necessity. America needed to be shocked in order to be allured to these works or poetry, which went deeper than blatant sexuality; emotion energy sex love mysticism were all on the same plane of internal mental thought. Avant garde display was now the means to the end of snapping sensually the industrialized human machine, over-fixated on temporary addiction to a set of materialistic values that came with carnage caved in at the ends of seventeen year old love letters where the blood started to run in the rain and the words and signatures were incomprehensible but the dog tags shined like Sunday morning breakfasts baked in sweet bread and kisses from Grandpa Cookie. It was this unconventional fragmented style of verse that caused mothers to cry when kids read about freedom and a world not burgeoning with the moral and physical suicides of a thousand possibilities in a nuclear haze. Theyd imagine such lines would be a threat to a child, who might become like Dylan acid trip epics with Quinny dosing and skys opening for brief seconds where you can taste and feel it, the thing that makes us mad and burn burn burn with hope at the edge of tongues (Dylan)(Kerouac ). Folk heroes proclaimed that children would become beyond their command, the command of authority figures etched in the physical and moral apathy of the bomb. People were listening. With Howl, Ginsberg set down a formula for later protest songs from the likes of Joan Baez :the obscenities of the state should be followed by the uncontrollable and instinctual emotional reactions of the individual. Such muses from the heart and mind about the existence of the new sort of rain coming down and the boy who disappeared in it could be easily invoked in the depths of the subconscious stalled in meditation. As poet Michael Mcclure said after Howls first recitation, none of us wanted to go back to the gray, chill, militaristic silence-to the land without poetry-to the spiritual drabness (Schumaker 215). The apoclypic visions of Ginsbergs The Fall of America and the America that LOOKED FROM ITS GRAVEwere all that lay behind, seen in the influence of Dylan when he too speaks about the end. Blowin in the Wind used lines like How many years can a mountain exist before its washed to the sea while The times are a changin' versed conclusions like Admit that the waters around you have grown and accepit it that soon youll be drenched to the bone. Ginsberg and the beat were aware of this point of no return, a mad run from the end that could come at any time (Schumaker 215) They were asking for the desperation, for the land in front of the setting sun was the only direction they needed to go However, the land had heavy industry walls of red white and blue to block the spread of this so called disease of internal and moral freedom. These obstacles had mouths running with blood crossed with eyes of pristine clandestine censorship to protect the impressionable youth of the next generation from being swallowed by hysterics, as it needed their limbs to fight the great world wars in the bowels of death and destruction that reigned with every passing sunset in the East and in the West. This hypocrisy was essentially what brought Ginsberg into full fledged politics, while others like Kerouac drew the line at the beat representing only self sufficiency and freedom from moral interference (Schumaker 180). Much of this can be due to the inherent political struggles he found in getting his work into the public sphere. When Howl was about to be released for the second time, they arrested a counter assistant at City lights for peddling literature likely to corrupt juveniles, and also arrested Ferlinghetti for publishing it. (Campbell193). Ginsberg therefore was one of the first writers to be constantly backed by the ACLU in open showdowns against what was and was not obscene, not only during Howl but later in the group publication of the drugged up Big Table # 1 (Schumaker 255 , 317). To Ginsberg, this might have been a sign of the government trying to quell the influence of writing that would inflame the masses, similar to the repression of the ideas of the Burgeois revolution through strong state centers in the aristocratic France of the 19th century. But what was more was that the prophetic frenetic man saw lunacy in the fact that the artist was releasing pure human instincts in his musing, feelings which although pure, had to be recited in bland grave like versions such as the censored is holy! (Schumaker 254). His work Kaddish, a trying poem about the death of his mother, was an explanation of this affront . Listening to Ray Charles blues shout blind on the phonograph , Ginsberg praises the ability of Charles to withstand uncontrollable agony by keeping within the limits of structured rhthm. Replacing censored with skin in Howl severely hampered the rhthm of the piece, as missing one part of a language of heartbeats and paranoia encased in syllables was like losing a leg in the moral internal marathon; such a gaping wound could lead to a loss of the entire feeling of the poem. Without the unity, the one-ness, the recited work could not produce the same flash of imagery and light that had occurred, similar to Kerouacs sight of a woman that reminds him of his mother; frozen with ecstasy on the sidewalk..a complete step across chronological time into timeless shadows (Kerouac 172). These estatic moments were what made the spiritual search worthwhile and kids of the mystical mad crazed road hoped that when their moment came, all of these previous moments of light would converge. POPULUSIST ADD HERE Now forceably emersed in the political scene, Ginsberg delved further into politics with his war against the byproducts of age of hate that could not be vanquished with napalm. Particular awareness should be given to his use of blatant contrast to evoke irrepressible feeling. In Plutonian Ode, he draws a parallel between the mythological Pluto and the destructive power of the element that received its name from the God. (Schumaker 629). Lines such as I dare your Reality..I turn the wheel of Mind on your three hundred tons.. My oratory advances on your vaulted mystery are the polar anti-thesies of the beauty of the sparrows waked whistling through marine Streets summer green leafed trees. Protesting such atrocities of nature by nature by meditating on train tracks bound to deliver nuclear material, the recitation of Plutonium Ode would be needed inas his defense, adding parts to it spontaneously like breathing silent Prisoners, witnesses, Police- the stenographer yawns into her palms Sunflower Sutra is very much the same, written he was traveling with Kerouac and viewed a sunflower which was being afflicted with the waste that came as trains passed, its wheels unaware of the indignity it offered the poor flower (Schumaker 632). The subsequent contrast he painted was versed in the lines were not our skin of grime, were not a dread black dusty imageless locomotive, were all beautiful golden sunflowers. In this description, Ginsberg felt like he was taking up the whitemanesque celebration of becoming America through telling a lucid moment which could apply to a majority of Americans. Dylan picked this up better than anyone, evident in his verses describing a young child beside a dead pony and thewhite man who walked a black dog in The Times.. Even keener contrast appears when he muses I change my no pets allowed sign to a home sweet home sign and wonder why I havent any friends (Dylan) This social conscious and use of contrast gave the poet singer the whitmanesqueI am America perspective where he could speak for men who werent even of his own color. Hurricane was the epitome of this, Sunflower Sutra Voice represents the spirits, if not actual experiences, of his readers. It occurs to me I am America 219 even though un American whitmanesque celebration of self gone to seed and suffering the indignity of the discarded refuse they came upon an old, battered sunflower, grimy from the passing trains were not our skin of grime, were not a dread bleak dusty imageless locomotive, were all beautiful golden sunflowers Ginsberg had given the ideology of protest in Howl with natural offense against the grisly gashed abuses of the state covered in gauze and dead presidents. He had experienced the machinations of the war nation as nymphetic Greek realities which varied in degrees of apocalyptic reckoning undergone in hazy highs under hallowed homages hallucinating of American populistic deities of Whitman-esque form invoked under the beauty of the common land . However, it was Jack Kerouac and On The Road who exposed suburban insanity on the edge of skinless pointless existences and the consequent worshipping of the road that took one away from those invisible developments and commuter fathers. It follows the base set by Ginsberg, as its focal character Sal Paradise set off through America as he had this feeling that everything was dead. (Kerouac 2) In addition, Zen and its absorption of uncertainty and an array of unexplainable feelings appear throughout the book. But like Ginsberg, Kerouac implies that these adjectives can only be positive. The insanity that comes from living on the road is a saving prescence, and the more Sal embraces it with his road mate Dean Moriarity the more the spirit [is uplifited] with its access to the wonderment and wildness of life (Henrikson 176). In contrast, a return to Times Square reveals a people that are grabbing, taking,giving,sighting,dying, reflective of the futility of American behavior during the American time, as the heart was traded over in exchange for monotonous complacency with steel hands and sultry scents of capitalisms carnival. To react to such a scene of such pre-planned monotony, Kerouac wrote in a style known as spontaneous prose which entailed descriptions of long line. It was based on images that were observed and the subsequent recording of sounds and emotions related to that moment, all unleashed in the spirit of a honest confessional that acknowledged every thought without censor, in the vein of Ginsberg and Howl. A perfect example is seen in Dylans novel Tarantula, in the lines jack of spades vivaldi of the coin laundry wearing a hipsters dictionary and it is 5:31-the rain sounds like a pencil sharpener (Dylan).Each line epitomized the crazed memory of the sounds of be-bop and jazz like a man blowing a phrase on his saxophone till he runs out of breath , and would be without consciousness, flowing with images until final revelation of exhaustion brought an end (Merill 45). The energy that is given off by each soul-seeking line therefore seems like enough to hold back the worlds onrushing moral and human decay (Henrikson 176). Alliteration was a staple of Kerouac, and many credit him with its creation and see it reflected in Dylans A Hard Rains A-Gonan Fall, although the instinct to put words together like a black branch with blood ,seven sad forests and a dozen dead oceans seems like a natural inherent impulse in litearature. ( However, like the nature of the verse, sustaining such a crazed personally analytical lifestyle requires the dedication to constant moving, embodied in the way Kerouac would shout Go! when Allen would read his poetry (Schumaker 215). With pauses in life or writing, there would be a pause in the search for spirituality of it, or as Dean says, the journey to the magic land at the end of the road (Kerouac NUMBER). This is all reflected in the last chapters at the end of the road in Mexico revealing the hauting images of shawled Indians watching us from under hatbrims and rebozos who didnt know that a bomb had come that could crack all our bridges (Kerouac number The road had come to an end for now and therefore the reality of life was in that image stark naked Indian old mystic land, rooted in the emptiness of mans new capabilities over the days where mystics howled at the skies dancing with red faced gods Fundamental Paradox of Buddhsm All experience is essentially emptiness; that purity and absence are one. (Foster 62). To collaborate on this political and literary endeavor, the icon of Bob Dylan entered Ginsbergs life, a man who had already been heavily influenced by the Beat. The folk hero had the world revealed to him during Howl, but this latent influence was only spawned to action when Dylan first read Kerouacs Mexico City Blues. The long line outpouring of feeling based on flashing images and spontaneous events caused Dylan to drop out of school as it was the first poetry that really spoke to [him] in a natural purely Earthly sense. CITATION The musician saw this same spontaneity in Ginsberg when he viewed his improvisational poetry, which was like working without a net and releasing the crazed random feelings he felt from the public and the atmosphere in words (Schumaker 555) . Dylan was enthralled by the process, one that he had obviously attempted in order to assume a rough-edged, made up on the spot feeling on his albums. (Schumaker 555) the next months Eventually, beat politics came to the same point which had threatened Aunt Molly Jackson and the coal miners; un-American ideas were associated with red. Beatnik was a play of words off of the disloyal notion of the RussianSputnik, while the beat generation film by MGM boasted of a rapist on the run for a main character (Schumaker 6. Even worse was a ploy off of was a play Being out there and unloyal to America, Beatnik was a ploy off of the Russian wonder Sputnik. Even worse was the false consciousness of hip which plagued Kerouac the more he heard words like crazy and wigged in scenes as if people thought the repetition of them could bring out the burning burning burning (Campbell 246). Vexner said the culture of dissent was a hot commodity, as if the Beat were selling the idea of sex and anarchy to a world that was starving for it. CITATION Like Mike Seeger and the Lost City Ramblers, Kerouac and the beat needed to re-examine their roots and tried to analyze what and who it meant to be beat, ignoring all mutated concepts of the beatnik and its subverted image. However, Kerouac one day hated them colllectively, but switched his position come next morn, where he was confessing he loved them only to come to the conclusion when asked again that he was becoming paranoid (Campbell 250). Yet in this critique of themselves the Beat forgot to analyze a few elements that had made their image easy to exploit. The first is that when they were called to moan for man, few realized the energy it took to keep up such a lifestyle. The fact that they pose no answers to an incalcitrent society outside of this bewailing of emptiness and internal discovery made their journey a disjointed and dismembered one; the beats endless internal revolution during crazed trips in On the Road only lead back to conformist society with the realization of the death of America in the haunting mystic Indian scene Dean and Sal experience. circular. All of the hope of the convergence of all of those aforementioned estatic moment where everything rushed forward was cut off slashed at the knees like Vietnam massacres upon the lack of the realization of it. Depending again on these personal distortions to lead them back to estatic moments, the Beat almost relied too much on the self. Their feeling that their prose was a superior form of nature really did spark a level of narcissim that reflected poorly. Kerouacs mantra became youre always genious, proclaiming lofty phrases such as Once God moves the hand, to move back and revise is a sin (Schumaker 261). What he had forgotten was that PURITY YADDA, and that eventually the emphasis on him just swallowed the man in the desperation for drink in Satori and his search for a relative (literally any relative) demonstrated the demise of the man that constantly depended on the hysterics of the situation (Merill 77). Ginsberg on the other hand had tendencies to create poetry where everything would be contained in the vertical figure I which would lead to statements such as I want to be known as the most brilliant man in America. 261, 262 The fragmented style of poetry that bordered on apocalyptic knowledge was just too much for some, even too much for Ginsberg himself who was tired of being Allen Ginsberg (Campbell 192). Many who could not connect with this age or this feeling wondered what gave these men the right to proclaim themselves as phrophets or holy maniacs when all they did was speak in a version of English that they thought was superior in its absence of the comma. Few realized that the backlash against grammar was due to the fact that the period destroyed the delicate rhythm of works like Kaddish , which would cause one to spiral back to the boundless agony that the perfect balance of poetry embraced. Like Dylan says , some were like D.A.R woman [who] flies off the handle. looks at jack. says in some places youd be arrested for obscenity she doesnt een hear the band..she falls down a sidewalk crack (Dylan ) If one couldnt embrace the beat of the scene, the crazy wigged out mantra which dictated the path of the man, then theyd never know. Theyd point out the beards and the bodies spread across mattresses on each other and the heroin needles and the staircase of marijuana smoke that suppose dly led these gloats to higher realization. In Dylans movie Renaldo and Clara, Ginsberg is representative of the father and Dylan the son. It is a relationship of giving and taking between the folk hero and the beat, a representation of what Ginsberg and Kerouac did for Americana. brought Dylan took in the outpouring of words and feeling and exposure of the full heart that caused him to quit school in a spontaneous moment. He acquired Kerouacs class consciousness GO BACK and the love for the capture of gawky awkward beauty of the individual eccentric citizen like Dean Moriarity in words and in American travels, reflected in words such as the the motorcycle black Madonna two-wheeled gypsy queen and her silver studded phantom lover he writes about. The protest inherent in Howl is taken into his soul, alongside the absorbtion and reflection of various unexplainable feelings in an unexplainable time. However, he essentially adds an extension to the beat movement, removing the aspects of the beat that confused many parts of society who were still too numbed to come to grips with these bearded men. Songs like Blowin in the Wind took Ginsbergs art of contrast and brought it full circle; these protest songs leaned more towards the finding of the ultimate answer. Other pieces like Hurricane evoke images from NAME DO THIS SHIT TOMORROW. However, Dylan sounds more like every man in Hurricane , like the every voice of Peter Paul and Mary, because of his humbleness and reluctance to put himself above the common man, something the beat had trouble doing feeling they had divine potential to change the face of thinking in itself. In every sense Dylan is the beat, from his wild descriptions of jazz and hitch hiking in his novel Tarantula to his manic performances thriving off of the emotions of the environment to his celebration of drugs sex and wild wanderings of youth. The spot where Dylan and Kerouac left off, frenzied and genius and incomprehensible to those who could not get it, was the place Dylan took up. The spoken word long line tradition and ithat Ginsberg could only cross halfway across the gap was bridged by Dylan, with memories of Kerouacs inspiring prose driving him. The Zen of it all , of all the nuclear protest, all the civil liberty, all the cries for a sympathetic America become one with the combination of these three. Their memory is like a burning mystic sign that has no form, only emotion, bright enough to reinvigprate the young masses in every generation to the crazed motion and the crazed search and the frenetic fraticness of the freedom of sensuality with the keenness and sharpness of political reality like a goddamn shard that cuts us at the arm just to prove we still bleed . As long as it burns, the land will breath even under the lack of life in the H-bomb oxygen starved skinny era. As long as it burns, the hills will rise and fall with the pure schitzophrenic sanity of the wind, an echo that just whispers search on the end of our hope stricken ears against the fear ridden nuclear wet dreams of bodies sexed and eyes hallucinating vexed and the fallout of a demoralized Patriot and its Acts of jingoistic nuclear tendencies. When Dylan said Ginsberg needed to get out on the open road of the tour to wake up America, he meant that he wanted his spirit to ride through the skeletal suburbs warning the kids of the inhumanity and callousness stalking the land. I hear his voice and and see their protest so well, like Blood writ in Blood, haunting my daytime dreams with hazy invocations of what we truly can be. Knowing that there is a generation who also feels the same burning in the center of the heart gives me strands of hope that somehow we can overcome the same inhumanity in this age of faceless terrorism that shows no distinction between America and the West. With a t ear off the edge of the holy cheek, emblematic of the disunity of our feelings, these men push through our insides to assure us these expressions are what will take us whole. POPULUSIST EDGE OF FOLK TATPRETTY FLOWER POETRY Works Cited Campbell, James. This Is The Beat Generation London : Secker and Warburg, 1999. Henrikson, Margot A. Dr. Strangeloves America Los Angeles : University of California Press, 1997. Merill, Thomas F. Allen Ginsberg Boston : Twayne Publishers, 1998. Schumaker, Michael. Dharma Lion New York : St. Martins Press, 1992. All enamoured with some aspects of the drug culture , labeled as family haters and communist hippies and , the movement began to waver at the end parallel with a lot of the demise of rock stars when coming under controversy and assault by mainstream America. Kerouac became a drunk high off his own lines and Ginsberg moved onto relatively less successful social scenes in rock and roll and the clash.

Characters in A Perfect Day for Bananafish by J.D. Salinger Essay

Characters in A Perfect Day for Bananafish by J.D. Salinger The characters in Salinger?s ?A Perfect Day for Bananafish? seem to exist in opposite worlds. On one hand, Salinger creates Muriel to represent materialism and superficiality and on the other hand, he creates Sybil to provide justification of the child-like innocence rarely found in society. Salinger?s main character, Seymour, is aware of the superficiality expressed in Muriel?s world and chooses not to be apart of it. Seymour wants to be a part of the simple immaterial world that Sybil represents. Nevertheless, Seymour find himself trapped between two worlds unable to regain the one he desires. Therefore, Salinger bases ?A Perfect Day for Bananafish? on Seymour?s disillusionment with life and his inability to regain a child-like perception of the world. Salinger?s portrayals Seymour and his world are described below. Sybil is composed of all the characteristics Seymour is seeking. She is young, innocent and childlike and therefore not polluted by the materialism, mistrust and snobbery known to society. Furthermore, her actions suggest that she relates to Seymour because he seems to act like a child somewhat similar to herself (for example Sybil feels secure around Seymour but feels insecure when sitting with her own mother). This would imply that Seymour does not appear abnormal to her because she, unlike most, she has the ability to see through his exterior and is not intimidated by what she has found. In the later part of the story she continually repeats the phase ?see more glass?(10) using the term ?glass? to describe her own unique ability to see through the transparency of superficial people (much like her own mother). What Seymour respects... ...g that was originally molded to portray the image society would expect of a ?Lady? of her caliber. In turn, it does not seem to matter who Muriel is in Salingers?s story but what she represents. In conclusion, Seymour is similar to the bananafish as he swam his way up the stream of life ingesting the materialism and superficiality that past him on his journey. Half way up the stream he stopped pondered why he had even bothered in the first place. Now he cannot go back down the stream (to Sybil) against the current and cannot bear to continue (with Muriel). At this point Seymour is described as having ?banana fever? or becoming so engulfed in materialism. His only rational option would be to stay in the banana hole and die. Work Cited Salinger, J.D. Nine Stories: A Perfect Day for Bananafish. United States: Little, Brown and Company Limited, 1991.

Alzheimer Disease Not Just Memory Loss

Alchemist's Disease: Not Just Memory Loss Introduction Memory loss is like an old age where it is a condition which mankind has always reluctantly recognized and always – with resignation. Memory loses are sometimes trivial and meaningless and go unrecognized. However, when these losses are so great that a person does not know who or where they are the concerns are quite grave. Although It Is realize that Alchemist's disease destroys the brain memory function, many do not realize precisely how the memory is destroyed once one is aware of the process; it becomes faster to work forward to alleviate the destruction.Walkout memory there Is no knowledge to recreate or reproduce past perception, emotions, thoughts and actions that are so vital to live a full and functioning life. Memory is the key that unlocks doors that keep us functioning, not only mentally but physically. Discussion As a new era dawns upon us many people find themselves asking the question; â€Å"What is Alchemi st's Disease? † Alchemist's Disease today affects almost all people in some way. Since the amount of lives this disease affects continues to increase epidemiologists have named Alchemist's Disease, â€Å"The Disease tot the Century†. Edwardian, 2007, IPPP-362) In 1906 a German neurologist Allis Alchemies performed a neurological autopsy on a 56-year-old woman who had suffered deteriorating mental health for many years before her death. Alchemies noticed a disorientation of nerve cells in her cerebral cortex, the area of the brain responsible for controlling memory and reasoning. There were two oddities he found. The first was an accumulation of cellular debris surrounding the nerves he called this senile plaque. The second oddity were groups of nerves that were bunched and twisted he called this neurotically tangles.In the following years as more autopsies were inducted the same oddities that were found in 1906 were found in patients displaying the same symptoms. At tha t time a prestigious German psychiatrist, Emil Grapnel, proposed naming the disease In honor of Its discoverer Also Alchemies. (First 2008, #6-88) Alchemist's Disease American's Disease is a chronic brain disorder that destroys one's ability to reason, remember, imagine and learn. The disease Is also known as â€Å"senile dementia† or â€Å"pre-senile dementia†. Dementia refers to the lost tot mental health. The term â€Å"senile† meaner old. Pre-Senile† refers to those patients less than 65 years of Lesions on brain cells that take the form of senile plaques and neurotically age. Tangles cause Alchemist's Disease. Healthy brain tissue is normally arranged in an organized pattern These knots and tangles throw the brain into mass confusion taking over and destroying healthy brain tissue. This causes the brain cells to stop functioning. Recently a protein Taut NAS been discovered in these tangles and knots This protein is found in healthy brain cells, but is found in much larger quantities surrounding areas affected by this disease.Other ailments have been linked to the onset of the disease. These include head trauma, problems with the immune system, blood cancer, thyroid problems and Downs Syndrome. Stages of Alchemist's Disease There are four distinct stages of progression. The progression of Alchemist's can take from three to fourteen years. This time span is based on the time from diagnosis to death. All patients go through these stages Just at different rates. The first stage of Alchemist's the patient experiences a slowing down of many factors of behavior. They have less energy, slow to learn new things, and their reaction time decreases.Patients experience only mild forgetfulness of recent events, familiar people and places. They have a decrease in Judgment, and trust. Also, they become increasingly stubborn and restless. Many people are unaware of the presence of a disease because frequently memory loss is common in the elderly due to fatigue or a period of sickness. (Gel, 2006, Pl 393-1400) In the second stage the patient becomes increasingly forgetful and has more trouble recalling recent occurrences. They have difficulty in skills such as decision making, planning and Judgment.The patient's speech and comprehension become much slower and often loose their train of thought often. They are usually able to complete common tasks but need assistance with more complicated ones. They must be given clear and repeated instructions by caregivers. Victims start to become aware of illness and become depressed, irritable, restless, and socially withdrawn. In the third stage Alchemies patients loose all ability to recognize familiar people and places. They have trouble completing simple everyday tasks like eating, bathing, getting dressed and using the toilet.They lack interest in personal hygiene and loose all sexual instincts. They have difficulty communicating verbally. Patients are easily agitated and deny they are ill. The fourth stage of Alchemist's Disease is the stage that ultimately leads to death. Patients are unable to recognize themselves and close family members. They become bedridden; and only slight useless movements are made. The only way of communication they use is screaming out. Diagnosis of Alchemist's Disease Diagnosis of this disease is very difficult. Doctors are only 100% certain of the presence of the disease from autopsies after death.Diagnosis is based on the lodgment of physicians and their experience with Alchemist's Disease. Current accuracy of correct diagnosis is 90%. Recently they have discovered a way to test the level of Taut protein; this has helped with correct diagnosis. Sometimes mental tests are run to test the memory, learning skills, language skills, and the ability to follow instructions. (Harmon, 2005, Pl 55-187) Many people also question the heredity of the disease. It has been found that some forms of the disease are hereditary. The â€Å"Pre-Seni le† Alchemist's which usually sets on in a person around 40, 50 years of age is found to be hereditary.There are three types of genetic proteins that have been inked to Alchemies patient's pollinate E, E, and E. Those who inherit E have a higher chance of developing the disease. One scientist, Barbara Talon, has discovered the tissue found in the upper nose goes through the same changes that the cerebral cortex tissue goes through. She plans on tinning oh it t t his tissue taunt in the nose deteriorates at the same rate of that found in Alchemies patients. If so this could lead to the early diagnosis of Alchemist's. Treatment of Alchemist's Disease Currently treatment is focusing on slowing progressions and coping with symptoms.One drug, THAT, is a drug that helps to boost levels of acetylene's, a chemical that is involved in memory. Two FDA approved drugs being tested are Tactile and O'Donnell these drugs are also to help memory. Although, these drugs cause side affects, O'Do nnell is found to cause nausea, cramps and lose of appetite. Estrogen for women has been found to have a positive affect on Alchemies patients mental decline. It helps memory, language skills, and the ability to concentrate. Nicotine has also been found to slow the formation of senile plaque, improve memory, learning and concentration.Doctors do not suggest this use of treatment at all; nicotine causes lung cancer, emphysema, high blood pressure, heart attacks and strokes. Currently 4 million people in America have been diagnosed with Alchemist's Disease. It is projected with the aging â€Å"Baby Boomers† that 14 million people will be diagnosed in the upcoming years. (Sails, 2008, app-43) Drugs to Aid in the Treatment There are currently two drugs to aid in the treatment of Alchemist's disease. These drugs are only effective during the first couple years of the disease. The drugs are called Cogent and Airiest.Both of these drugs work by increasing a chemical in he brain that works with memory. They do not cure the disease, but they do produce some improvement in patients. This disease is obviously a horrible one. It can rip a family apart, and there is nothing that can be done about it. Hopefully, one day a cure will be found, but in the mean time, Alchemies ¤? ¬was disease has total control over a person who is afflicted with it. It also has control over the family of the person afflicted with it. Almost everyone in this country has some sort of tie to this disease, and this is why more research should be done in hopes of finding a cure.This asses affects 10% of those over 65 years old and 50% of those over the age of 85. One-Half of those living in nursing homes are living with Alchemist's. Seven out of 10 patients live at home; family members care for 75% of them; the other 25% of them are cared for by hired caregivers. It has also been found that 55% of caregivers show some signs of depression. Alchemist's occurs more often in women and in Afri can Americans or Hispanics. (Sloane, 2007, app-132) Alchemist's Disease – A Costly Disease Alchemist's Disease is a very costly disease; it is the third most costly disease after heart conditions and cancer.In 1998 the U. S. Government spent approximately $90 billion on medical care and $400 billion to research. This disease costs a family $174,000 a year on care giving and another $42,000 a year on nursing homes. Medicare is a retirement benefit to those over 65 years old. Medicare does cover some the costs to provide help to the patient such as nursing homes. The extent of help varies by state. When seeking help people find themselves asking, â€Å"Where should I go? † â€Å"When should I go? † When you tell that a Tamil member may nave the disease or in need of mental attention you should first see you family physician.The physician will determine if they believe the problem to be Alchemist's. You should also bring medical records and a list of all medication the patient is on because certain medications or the combinations of medications may resemble Alchemist's. In every community there are services offered to assist those people affected by Alchemist's, for patients, family and caregivers. The Illness And The Caregivers Alchemist's disease affects the person with the illness and the caregivers. It is estimated that 1-4 people are caregivers. The disease has a long duration which impacts more on the caregivers.It can cause a great deal of emotional stress to caregivers. It also has a financial impact on those who provide care for patients suffering from Alchemist's disease. It is estimated that the national costs of caring for patients with Alchemist's disease is $100 billion. It can also indirectly cause loss productivity, absenteeism and worker replacement. (Edwardian, 2007, IPPP-362) Many people with Alchemist's disease do well at home during the initial stages. However eventually there is the need for long term care facilities. Lo ng term care is defined as help from family and friends.It can also mean regular visits by home health aides. It might also mean moving the patient to an assisted or nursing home that can provide twenty four medical attentions. There are two major types of long term facilities for Alchemies disease patients. One of them is Nursing home which provides room and board with twenty four hour skilled care. A licensed nurse provides this type of care. There are special units for people with Alchemist's disease. The environments, activities, philosophy of care and staff training are based upon the needs of Alchemist's disease patients.Nursing homes usually have rained and supportive staff who have knowledge about how to adjust to the patient. They have information about each patient to individualize care and to eliminate behavioral symptoms. There are special activities which reduce anxiety and agitation. A nursing home has pleasing sights, sounds and smells. They also have a low noise leve l and non glare lighting. Some facilities also have security measures to prevent wandering. Another type of long term facility is assisted living. This type of facility is suitable for people who require personal care and general guidance but do not require any specialized medical care.They are good for people with moderate functional impairment. This type of long term care promotes self direction and participation in decisions. It also focuses on independence, privacy and dignity. It attempts to create a home based environment. It is an attractive option for patients who seek assistance and independence at the same time. (First, 2008, app-88) Conclusion In conclusion Alchemist's disease is a very serious condition that affects many people. They do not know what causes this disease or why people get it, due to the fact that there is a chance for anyone to get this disease.People must take recreation and seek the advice of healthcare professionals to be tested for this disease. This way they have a chance to go on living there lives for as long as possible. If they do not seek care then they have a lesser chance of living a longer life. Obviously, knowledge regarding Alchemist's disease has progressed far from thinking that it is Just a loss tot memory. Choosing the best type tot long term care can be difficult for caregivers. Assisted living facilities are the best option for people with early stages of the disease. Nursing home facilities are best for patients who suffer from advanced stages of the disease.This disease produces a full-blown dementia in its patients and affects millions of people and their families. These people and their families have special needs. Consequently, programs, environments, and care approaches must reflect this uniqueness. Developing an effective care/service plan for a person with dementia requires careful assessment of that person, a detailed plan, and attention to the individualized needs of persons with dementia. Alchemist's disease can cause emotional and financial stress to the patient and the caregivers. However there are many choices available which can improve the quality of life.

ronald reagan a true american hero Essay example

Reagan: A True American Hero† nbsp;nbsp;nbsp;nbsp;nbsp;â€Å"We will continue our quest in space. There will be more flights and more space shuttle crews. And, yes, more volunteers.† nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;-Ronald Reagan nbsp;nbsp;nbsp;nbsp;nbsp;Ronald Reagan, viewed by some as a true American hero, was as stupendous as presidents can be. His dramatic speeches and down-to-earth personality made people proud to be American. Ronald Reagan seemed more then American. He was a patriot. Ronald Reagan cared deeply for the American people as well at their values. Our nation now felt,†¦show more content†¦Another huge impact on Reagan was Nixon. First, Reagan helped him to get into presidency. Then, when Nixon’s term was over, Reagan ran against him (Brown 47.) When Ronald got into office, he set a number of primary goals for his campaign. One of his biggest goals was to put a stop to terrorism. When a bomb exploded in a U.S. soldiers’ barracks in Lebanon, 1983, Reagan became enraged. He was bent on stopping the suspected culprit, Muammal al-Quddadafi, a Lybian dictator. He never succeeded in doing this. In addition, he wanted to put a stop to the ongoing violence in Israel, especially when Israel invaded Lebanon. (â€Å"Ronald Reagan† 236.) Many may say that Ronald Reagan’s ideals were far out of reach. Some saw his goals as â€Å"chameleon-like,† often changing his opinions to appeal to a particular group. In addition, he caused a great amount of tension between the US and the Soviet Union by ordering to replenish the U.S. nuclear arsenal by 25%. Overall, middle-class and upper-class people agreed with him. His orders to increase the arsenal sent the national debt down to 3 trillion dollars, one of the worst amount of debt to be drained by one president. All of the extra nuclear weapons and debt were because of his almost paranoid fear of the Soviets. (Fox M. Virginia 88-11.) Overall, Ronald was the right person at a critical time because his choices always seemed right. nbsp;nbsp;nbsp;nbsp;nbsp;At the time of Reagan’s prominence, the attention of theShow MoreRelatedRonald Reagan: a True American Hero1204 Words   |  5 PagesReagan: A True American Hero We will continue our quest in space. There will be more flights and more space shuttle crews. And, yes, more volunteers. -Ronald Reagan Ronald Reagan, viewed by some as a true American hero, was as stupendous as presidents can be. His dramatic speeches and down-to-earth personality made people proud to be American. Ronald Reagan seemed more then American. He was a patriot. Ronald Reagan cared deeply for the American people as well at their valuesRead MoreEssay about Ronald Reagan, a True Hero770 Words   |  4 PagesRonald Reagan was a true hero to many Americans. 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